Showing posts with label laura thomas. Show all posts
Showing posts with label laura thomas. Show all posts

Saturday, March 28, 2015

'Connected Threads', Tenby Museum & Art Gallery, 28.3.15 - 17.5.15

Connected Threads: an exhibition celebrating the importance and reward of teaching and learning.


Exhibition statement:

‘Connected Threads’ brings together five mixed media textile artists connected through education, whose practice is all rooted in the principle of manipulating threads to diverse outcomes.  Laura Thomas, a woven textile designer and artist, also co-leads the BA Textiles: knit, weave & mixed media degree programme in Carmarthen School of Art, Coleg Sir Gar.  Having been invited to exhibit at TenbyMuseum & Art Gallery, Laura decided to take the opportunity to invite two of her former tutors Julia Griffiths Jones and Ann Sutton, and two of her former students Sian O’Doherty and Debbie Smyth to exhibit alongside her. 

Teaching is a common accompaniment to the professional life of an artist or designer-maker.  An otherwise often solitary practice is greatly enriched by the joy of sharing expertise and inspiring keen learners.  Laura is particularly passionate about passing on the skill of weaving in a country where the manufacture of cloth is so fundamental.  Carmarthen School of Art offers the only remaining degree programme in Wales with the option to specialise in weave.  

Having always known that a career in art and design was where her future lay, Laura was still uncertain about what to specialise in when she began her Foundation Diploma in Art and Design in Carmarthen School of Art in 1995.  Typography had been an obsession throughout school, so graphic design seemed inevitable.  However textiles tutor Julia Griffiths Jones introduced the idea that textiles could be something quite unexpected and truly exciting and so the path shifted.  Working with wire and other untypical materials and processes were a revelation, and so a degree specialising in mixed media textiles was selected in Birmingham City University (formally University of Central England).  However, here once again the path changed.  The four week introductory taster to weaving was a life changing ‘light-bulb’ moment.  Having never given a second thought to the construction of cloth, the weave room, with its floor-to-ceiling shelves full of yarn, encasing rows of table looms was a welcome onslaught to the senses.  The opportunity to explore the key passions of colour, composition and line, and fundamentally, to make cloth proved irresistible and thus became Laura’s chosen specialism.

One the foremost draws to subsequently undertake an MA in Woven Textiles at the RoyalCollege of Art, was that Ann Sutton was one of the visiting tutors.  Prolific artist, designer, maker, curator, speaker and writer, Ann Sutton’s energetic, rule-breaking and pioneering approach to weave was inspirational.  Treasured tutorials challenged Laura to see the ingenuity in overlooked structures and to recognise that weaving is ‘soft engineering’.  The possibilities for woven textile application in unexpected arenas, such as public art set the die for Laura’s future career.  Good fortune also meant that Laura was due to graduate in 2001, the year that Ann Sutton was recruiting for her first tranche of three Weave Design Research Fellows for The Ann Sutton Foundation in Arundel, West Sussex.  Thrilled to be awarded one of the Fellowships, the two years spent at the Foundation were entirely fundamental in Laura developing the confidence to establish her multifaceted studio practice in Cardiff in early 2004.

Soon after arriving back in Wales, Laura wrote to the textile department in Carmarthen School of Art to introduce herself and offer her services as a visiting speaker.  An informal meeting and talk to the students led to a one-day a week appointment as weave tutor. Laura has taught there ever since, and has been co-leading the course since January 2013.

Carmarthen School of Art is a joy to be a part of.  It is a true art college, in that it’s purely art and design courses undertaken on the campus.  It’s uniquely small, meaning that class sizes are a fraction of those in the ‘big’ universities and so has a nurturing, family atmosphere, where tutors really get to know their students.  Its size also means there is plenty of scope for inter-departmental working, something that both Sian O’Doherty and Debbie Smyth embraced throughout their studies.

The biggest reward in teaching, is to watch already talented students develop over their three years of study into something exceptional; to observe their ‘light-bulb’ moments; to suggest a creative direction that proves to be their personal revelation; to celebrate their recognition in the wider world of art and design.  Both Sian and Debbie were outstanding students from the outset, but what set them apart was their unstinting work ethic, creative risk taking and thirst for experimentation.  Both students were multi-talented and could have easily specialised in any textiles discipline, but both took a mixed media approach comfortably exploring different techniques and processes as per aesthetic and practical demands.  Underpinning their work throughout was their high level of drawing ability, comfortably taken into cloth, paper or thread manipulation. 

Debbie graduated in 2008 and achieved instant recognition at New Designers, the annual graduate showcase exhibition in London.  Work was sold, exhibitions arranged and commissions won.  Debbie has worked consistently since graduation for a stellar list of clients achieving international recognition for her trademark ‘pins and threads’ drawings and large scale installations.  Recent commissions have taken her to Shanghai and Las Vegas to create spectacular installations.

Sian graduated in 2012 and likewise achieved immediate success at New Designers winning the prestigious Lucienne Day Award for her final collection of woven quadruple cloth and digitally printed textiles.    Throughout her studies Sian demonstrated an exceptional technical ability for making fabric in all disciplines, so the final degree exhibition showcased only a fraction of her talents.  Subsequently the focus of Sian flourishing practice based here in Tenby, has primarily been knit for both fashion accessories and homewares, but she also makes mixed media artworks as showcased here in this exhibition.  Sian is also now the knit tutor and co course leader for the BA Textiles course in Carmarthen School of Art. 

Thursday, February 16, 2012

A Stitch in Time: function and form, Shire Hall, Monmouth


A Stitch in Time: Function and Form, Shire Hall, Monmouth


Saturday 18th February – Sunday 18th March

Open 10 – 4 Monday to Sunday

An exploration of the changing nature of textiles; from the simply functional to the purely artistic. Contains work by contemporary textile artists (including 'Arc' which you can see below) and objects from Monmouth and Abergavenny Museums.

£2.00 adult £1.00 child £5.00 family ticket

'Arc', 2010. Handwoven leno in cotton, linen and nylon monofilament encapsulated in acrylic resin


Wednesday, January 11, 2012

Open studio & sale, 21/22 Jan


Happy New Year!

To celebrate moving into my wonderful new studio in the Model House Craft and Design Centre in Llantrisant, I'll be throwing open the doors to welcome visitors to come see me weaving and find out more about my work. It'll also be the perfect opportunity to get yourself a rather lovely January bargain: for that weekend only, all purchases will have a 20% discount, and some archive works will be reduced by even more.  Many of the other resident makers and artists will be there that weekend too, so it'll be a wonderful opportunity to visit. Very much hope to see you there :-)

Tuesday, March 22, 2011

Off the loom: woven explorations and applications in art, science & industry, Stroud International Textile Festival, Sunday 8th May, 2011, 11-4.30pm

I’m delighted to announce that I am hosting a forthcoming day of talks as part of the 2011 Stroud International Textile Festival, that will celebrate some of the innovative applications and aesthetic explorations in contemporary weave practice.

With a respectful nod to tradition, the invited speakers are all forging new ground within the fashion, science, furnishings and art spheres taking weave into dynamic new arenas. From e-textiles to art for architectural spaces, each speaker is a pioneer in their discipline and is taking their expertise into unexpected arenas.


Speakers:

Laura Thomas, artist, curator and design consultant. Well known for her trademark encapsulation of delicate textile structures in acrylic resin, recent significant commissions include a Museumaker project to design a triptych window for The Beaney Museum and Art Gallery in Canterbury and a vessel presented to Cricket Australia from the Welsh Assembly Government to commemorate the Ashes being played in Cardiff in 2009. A recipient of a Creative Wales Ambassador Award from the Arts Council of Wales, Laura is currently developing new bodies of work in residence at the Ruthin Craft Centre.


Asha Peta Thompson, is a founding partner of Intelligent Textiles Ltd (ITL)along with Stan Swallow. Asha is an expert in woven technical textiles, specifically electronically active ‘e-textiles’. The ITL patented processes have been applied to many products and principles from heated bedding to iPod connected garments. Recent press coverage has focused on their partnering with the Ministry of Defence to develop embedded technical functionality into military clothing, predominantly as a replacement for conventional cables in soldier systems.


Kirsty McDougall, is one half of Dashing Tweeds, Britain’s latest tweed textile company. Opening up a contemporary arena for a classic quality fabric, Dashing Tweeds has created a range of tweeds for the 21st century, designed by photographer Guy Hills and weaver Kirsty McDougall. Quirky colour palettes, inventive yarn combinations and sophisticated tactile qualities have taken the traditional tweed into uncharted territory, winning them fans across the fashion world. Of particular note is their LumaTwill™ range which is a fusion of technical sportswear with elegant tweed cloth. Light reflective yarns punctuate the woollen checks, so when worn at night it illuminates as light hits the fabric.

Melissa French, artist, designer and coordinator of the Puff & Flock textile collective. Melissa’s practice sees her span the commercial and conceptual sphere. A graduate of the renowned MA Textile Futures at Central St Martins, Melissa has garnered a reputation for work that questions the expected application of woven textiles. Her Urban Upholstery concept takes textiles beyond decoration. This time-based work integrates various metals in her woven fabrics to enable them to endure time and weather whist evolving through natural rusting or oxidising. Inspired by graffiti, urban guerrilla movements and traditional interior textiles and design, Melissa wants to bring an element of beauty, pattern, design and ultimately surprise to the urban landscape.


Ptolemy Mann, artist and architectural colour consultant. Renowned for her impeccable eye for colour, Ptolemy produces striking ikat dyed woven artworks for corporate, commercial and domestic spaces, which have been exhibited and specified all over the world. Working with a UK manufacturer, she has also recently added limited edition mill woven cloth to her repertoire, suitable for cushions, drapes and other applications. Ptolemy is also in demand as an architectural colour consultant, bringing vibrant palette’s to the usually colour-shy world of external facades, as well as devising internal colour schemes for healthcare environments to aid way finding and psychological well being.


Tickets are available from the Stroud International Textiles website:

Cost: £40/£35 (Students/Friends of SIT)

£5.00 for light lunch


There are limited tickets available particularly at the concessionary rate. The last weave symposium I was involved in (warp+weft at the National Wool Museum) ended up with a waiting list of disappointed people, please do book asap!


I look forward to seeing you there!

Thursday, October 8, 2009

Origin: The London Craft Fair at Somerset House

Origin: The London Craft Fair at Somerset House

Week Two: 13-18th October 2009, Stand E1


For the third successive year I am delighted to have once again been selected to exhibit The Resonate Collection of textile art at Origin 2009.

Please do pop along to see me if you're in London next week. Details are as follows:

  • Tuesday to Sunday 10am - 6pm
  • Late closing Thursday - open until 9pm
  • Last admission 5:15pm (Thursday: 8:15pm)

Somerset House
Strand
London
WC2R 1LA

Ticket prices:



Full price single entry

£10

Concession single entry

£8

Season Pass (unlimited entry)

£15

Concession Season Pass (unlimited entry)

£12

Under 12 years

Free

Guest with registered disabled visitor

Free

An illustrated catalogue is included in the price of admission.

For any further details, please check out the Crafts Council Origin website:

http://www.craftscouncil.org.uk/origin09/

Look forward to seeing you there!



Monday, October 27, 2008

Origin etc

Well, once again I am starting my post with an apology for the lack of blogging activity recently.... must try harder!

Earlier this month I was exhibiting at Origin, the Crafts Council show at Somerset House in London. This was my second year there after a great exhibition in 2007. Akin to last year, I was given a fantastic stand, right by the show entrance - nobody could possibly miss me!

It was once again a busy show - great sales and contacts were made. The Thursday evening also saw me receiving my Wesley Barrell Craft Award for Interior Textiles which was the icing on the cake for the whole event.

It was also particularly wonderful to see some of the people that bought pieces from me last year.









This last picture shows me on the last day, somewhat tired and now if my comfy shoes!

As for other news: PARKart took some of my work to the Affordable Art Fair in London last week. They have also placed some of my 'Jacquard Sketch' artworks in Selfridge's, Oxford Street, London. You can see the work on the fourth floor in the Loft Living and BoConcept concessions.

Tuesday, June 10, 2008

news update...

Well, apologies first for not keeping my blog as up-to-date as I ought! Its been an extraordinarily busy last month or two

So in no particular this is what has been happening recently....

Firstly, and most excitingly, I had a great time at the HD-Expo trade show in Las Vegas back in May. I was one of seven creative business exhibiting on the International Business Wales stand, and the response to my work from visitors was fantastic. Many thanks to all the visitors who came to find me!

Just after I got back from Vegas I had to go to London for the press launch for the Wesley Barrell Craft Award that I have been short-listed for. I had the opportunity to meet the judges, which included Jon Snow, Celia Birtwell and Kara O'Reilly amongst others. Kara very kindly gave me a mention that following weekend in The Sunday Times The award will be announced at Origin in October..... keep your fingers crossed for me!

I have also recently been photographed in my studio by the legendary photographer Martin Parr for a forthcoming Cardiff feature in The Guardian - will keep you posted as to when that gets published.

On Sunday, I was delighted to be awarded the Applied Artist category award in the Welsh Artist of the Year competition.

On Monday I installed the Karen Davies memorial artwork commission for Milford Haven School.... photo's to follow.

Will post again very soon about my forthcoming exhibitions..... there is lots coming up!

Friday, May 2, 2008

Milford Haven School textile commission

In December 07 I was invited back to my old comprehensive school to give a presentation of my work to a group of sixth form students who had raised money to commission an artwork in memory of a much loved textiles teacher, Karen Davies who passed away last year. I was absolutely delighted to be considered for the job and was thrilled to be offered the commission on the day. Whilst I had never met Mrs Davies, I know what an impact a good teacher can have on students - my art and design teachers throughout my education have been fundamental in helping me become who I am today. It was very humbling to hear the students talk about Mrs Davies with such affection and to learn how they had independently raised a significant amount of money in her memory.

Yesterday I presented the students with my design proposals for them to select their preferred option. I had already talked to the students about their feelings regarding colour, and the response was that bright pink was Mrs Davies's favourite colour and that which they most associated with her vibrant personality.

I presented a number of colour ideas, all tonal arrangements merging pinks with reds and burgundies. The selected design is pictured below - an almost unanimous choice.

The five panels each measure 90cm x 35cm and will mounted onto a white backboard, and will be sited in the school hall - a digital simulation of the design in situ can also be seen below. The panels will composed of silk and cotton threads encapsulated in acrylic.

The artwork will be installed on the 23rd June with the dedication service being held on the 25th June.




Tuesday, April 29, 2008

Shortlisted for Welsh Artist of the Year

Just had a letter saying that I have been shortlisted for the Welsh Artist of the Year competition & exhibition for my submission of a Resonate 'Loose Threads' sculpture. The exhibition is at St David's Hall in Cardiff from the 22nd June - 26th July 2008. The winners will be announced at the opening on the 22nd June - keep your fingers crossed for me!

Friday, April 11, 2008

British Craft Trade Fair

Just got back from a busy few days up in Harrogate where I was exhibiting alongside other members of the Makers Guild of Wales at the British Craft Trade Fair. Had a very positive response from lots of galleries which will hopefully materialise into lots of exhibitions over the next few months....


Pleasingly these brand new black and gold designs were particularly well received....


Friday, April 4, 2008

Wesley Barrell Craft Awards

Great news: I have just learnt that I have been shortlisted for the Wesley Barrell Craft Awards in the Textiles for Interiors category for the work entitled 'Grid Weave: chocolate.' (Picture below.)

It will be included in an exhibition at the Wesley Barrell flagship store in London which will then tour around the country, finishing at Origin, the Crafts Council show at Somerset House in October when the winner will be announced. Keep your fingers crossed for me!

http://www.wesley-barrell.co.uk/

Thursday, April 3, 2008

busy busy busy.....




I need to apologise first for not keeping very up date with my blogging activity.... have been so busy recently, I even had to miss out on my Easter break.... get the violins out eh?!

So what's been keeping me occupied?
Primarily, it has been the very exciting commission to 'respond to the Iron Trials in the World Heritage Site centred around Blaenavon in the South Wales Valleys, and to make initial proposals for public art ideas'. There was huge time pressure to get this work done, hence no Easter respite. This is an extremely new way for me to think about my work, but obviously an amazing opportunity to start thinking about translating my artworks to become applicable for the outdoor environment.
I came up with several proposals focusing on two sites - 'The Gap' on Broad Street in Blaenavon, and the Garn Lakes just outside the town. The two images show my very basic digital simulations for two of the ideas. At this point in the commission process, it was about demonstrating the way I would plan to tackle the project, the likely aesthetics, materials and processes.
Both the images show a development of my 'Loose Threads' acrylic encapsulated process - by Garn Lake it would be a large block with the threads echoing the contours of the land behind - surreal window or doorway into the landscape. In 'The Gap', a continuous panel would stretch around the three walls, which would be dramatically back lit to enhance the colour. This would be complimented by central stone seating which would incorporate glass inserts to make a visual link to the wall panels.
The presentation was given last Friday to a packed room of all the interested parties, from the Arts Council, local Council, residents, landscape architects etc. Perhaps one of my most nerve racking experiences! Nevertheless, my ideas seemed to generate a lot interest, and so hopefully something will be selected to move forward with.
Aside from that commission, amongst many other things, I have been finalising my 'Woven Structure' chapter for a book entitled Smart Clothes and Wearable Technology to be published by Woodhead - date tbc. Also I am busily preparing for the British Craft Trade Fair in Harrogate which opens this Sunday. Hope to perhaps see you there!

Wednesday, March 19, 2008

Design Wales films - Melin Tregwynt

Just arrived home from the Design Wales 'Design Futures' event in Newport. Great evening of inspiring speakers.... and this film about Melin Tregwynt was premiered (and features me!) Hope you enjoy....

http://www.youtube.com/watch?v=sY1lwZaUwSQ