Retro/Prospective: 25+ Years of Art Textiles and Sculpture, Brown Grotta Arts

I was delighted to recently have the above new work included in the Brown Grotta Arts exhibition entitled Retro/Prospective: 25+ Years of Art Textiles and Sculpture  A subtly gradating palette of about 20 different yarns in cotton, silk, rayon and lurex was used in my trademark 'Loose Threads' arrangement. The threads are encapsulated in acrylic resin and cast into a gently curved arc. The exhibition can now be viewed online - do go check out the inspirational gallery photographs and, as ever, I'm rather humbled to have work seen alongside some seminal names in the world of fibre art.

With thanks to the Arts Council of Wales: this work was made as part of my Creative Wales Ambassador Award.

Second week in residence at Ruthin Craft Centre during October.....

I spent my second week in residence at the Ruthin Craft Centre during the last week of October.... and the time went scarily quickly!

I spent the first day getting one of the small hand looms at the Centre threaded up for a public participation project. Visitors to my studio will be invited to choose a favourite colour from a selection of yarns and then weave a stripe before finally tying on a label with their name, date and a few words explaining why they chose that yarn. Over time we will build a long stripey piece of fabric which will serve as a colourful visual record of visitors to my studio.

I was delighted that idea was immediately well received by those that came into my studio.... my youngest weaver so far was just 4 years old but so competent I offered her an apprenticeship!

So if you find yourself visiting Ruthin please do call in to see me and weave a stripe! I'll next be there from the 28th Nov to the 1st Dec.

The yarns to choose from to weave a stripe:

The loom to try out weaving on, complete with the labels recording the weavers name, date and the reason behind the yarn colour choice:

I then spent some time rationalising the work I had done during September when last in residence. Picking out the preferred pieces, these were 'exhibited' so that my visitors could glean a better idea of the 'story' I'm working towards.



The key area of exploration for this week was repeat pattern using isometric graph paper. I seem to be very preoccupied by angles and oblique lines at the moment! The colour exploration is continuing, but this time on a much smaller scale and in a more controlled fashion. These sorts of patterns could of course be very quickly explored digitally, but I find I use colour in a far more sensitive and less predictable way when I actually mix paints and apply it with a paintbrush rather than a mouse click. Its great to have the luxury of time to do this kind of work.








And I also did a little triaxial weaving on a tapestry frame......


Finally I was also busy making lots of warps ready for a free 'round robin' weaving workshop I am running at the Craft Centre on the 28th November. Again on the theme of stripes, participants will have 3 minutes to weave a stripe on their loom before moving on to their neighbours loom. They will then be asked to reflect on the colour of the first stripe and to choose a complimentary colour for the next stripe which they'll have another 3mins to weave, before moving on to the next loom and so on. The purpose of the workshop is is to explore perceptions of colour as well as giving novice weavers to chance to try out a new craft. It's also a celebration of the spirit of collaborative working and sharing ideas.

The warps ready to be put onto the looms:

Creative Wales Ambassador Award at Ruthin Craft Centre

Earlier this year I was the recipient of a Creative Wales Ambassador Award from the Arts Council of Wales. This Award is supporting the development of several new bodies of work over the next two years. Ruthin Craft Centre in North Wales was my nominating 'host' organisation for the award and as part of developing my working relationship with them, I am spending approx one week per month 'in residence' at one of their studios.

I'm using this opportunity to get away from the day-to-day distractions of 'normal' life here in Cardiff to get on was some uninterrupted thinking, planning and designing and to formalise the structure of my planned projects.

I spent my week in residence during September working in a very uninhibited way primarily exploring colour proportions and relationships. Its was also interesting to reflect upon the fact that it became a great deal easier and more natural to think on a bigger scale in a large, white, empty studio space - quite a contrast to my dark, crowded studio here in Cardiff!

Anyway, here's a few pictures from that first week in September.....

.... I got through a lot of paint that week!

Good news x 3......

Well, maybe good things really do happen in three's....

Firstly I'm really delighted to announce that on the 29th April 2009, I was one of four recipients of a Creative Wales Ambassador Award from the Arts Council of Wales. 'This new award scheme is part of the Arts Council of Wales's Beacon scheme for individual artists and organisations. Funded by the Welsh Assembly Government, the aim of the Creative Wales Ambassadors Awards is to recognise significant individual achievement in the arts, to raise the profile of Welsh culture outside of Wales and to provide financial support to enable the artist to develop a new programme of work.'

Exciting creative projects lie ahead of me now, that I may not have been able to readily explore if it were not for the opportunity afforded to me by this Award. I am looking forward with enthusiasm to getting started with a new body of work which will see me creating more ambitious, larger scale works for exhibition in my host organisations, Ruthin Craft Centre and Brown Grotta Arts in the USA. Amongst the other threads of my work, I will also be forging closer links with architectural design research partners and working with Welsh mills on a design-art collection, which will all be complimented by my ongoing curatorial and education activity in Wales.

Secondly, I have just been awarded a commission to produce a 'vessel' to be presented to the Australian Cricket delegation when the first Ashes match is played in Cardiff this summer.

And lastly, I am delighted that I have once again been accepted to exhibit at Origin, the Crafts Council Show at Somerset House in October later this year.

Aside from all that excitement, this last month really has been a flurry of activity. Alongside my usual teaching on the BA Contemporary Textiles course in the West Wales School of the Arts, I have being running a series of 'Architextiles' workshops in the Welsh School of Architecture with Dr Wayne Forster. This has been an immensely enjoyable challenge encouraging first and second year architecture students to explore and draw upon the textile fundamentals of colour, pattern, texture and structure, to generate conceptual architectural proposals for a 'wonder wall'.

After appealing for help with my Architextiles research on the Weave-tech forum, I had a huge number of emails from interested weavers around the world into this activity, so I'm intending to record this series of workshops in a forthcoming blog once the project is completed.

I am also continuing to work on my first curation project 'The Warp and the Weft', which will be a group exhibition at the Oriel Myrddin Gallery in Carmarthen in 2010. I will be co-curating this with Meg Anthony, the Oriel Myrddin curator. The concept of the exhibition is to highlight 'unexpected' woven textiles. Exhibitors may use 'unexpected' aesthetics or perhaps integrate 'unexpected' technology into their textiles. At the end of this month Meg and I will be visiting the Crafts Study Centre in Farnham is select a piece by Peter Collingwood from the recently acquired archive of his work.

As for this weekend, after giving a talk on my work to the Bristol Embroidery Guild, I am looking forward to squeezing in a visit to COLLECT and the Stroud International Textiles Festival......

Until next time..... L x