Showing posts with label ann sutton. Show all posts
Showing posts with label ann sutton. Show all posts

Saturday, March 28, 2015

'Connected Threads', Tenby Museum & Art Gallery, 28.3.15 - 17.5.15

Connected Threads: an exhibition celebrating the importance and reward of teaching and learning.


Exhibition statement:

‘Connected Threads’ brings together five mixed media textile artists connected through education, whose practice is all rooted in the principle of manipulating threads to diverse outcomes.  Laura Thomas, a woven textile designer and artist, also co-leads the BA Textiles: knit, weave & mixed media degree programme in Carmarthen School of Art, Coleg Sir Gar.  Having been invited to exhibit at TenbyMuseum & Art Gallery, Laura decided to take the opportunity to invite two of her former tutors Julia Griffiths Jones and Ann Sutton, and two of her former students Sian O’Doherty and Debbie Smyth to exhibit alongside her. 

Teaching is a common accompaniment to the professional life of an artist or designer-maker.  An otherwise often solitary practice is greatly enriched by the joy of sharing expertise and inspiring keen learners.  Laura is particularly passionate about passing on the skill of weaving in a country where the manufacture of cloth is so fundamental.  Carmarthen School of Art offers the only remaining degree programme in Wales with the option to specialise in weave.  

Having always known that a career in art and design was where her future lay, Laura was still uncertain about what to specialise in when she began her Foundation Diploma in Art and Design in Carmarthen School of Art in 1995.  Typography had been an obsession throughout school, so graphic design seemed inevitable.  However textiles tutor Julia Griffiths Jones introduced the idea that textiles could be something quite unexpected and truly exciting and so the path shifted.  Working with wire and other untypical materials and processes were a revelation, and so a degree specialising in mixed media textiles was selected in Birmingham City University (formally University of Central England).  However, here once again the path changed.  The four week introductory taster to weaving was a life changing ‘light-bulb’ moment.  Having never given a second thought to the construction of cloth, the weave room, with its floor-to-ceiling shelves full of yarn, encasing rows of table looms was a welcome onslaught to the senses.  The opportunity to explore the key passions of colour, composition and line, and fundamentally, to make cloth proved irresistible and thus became Laura’s chosen specialism.

One the foremost draws to subsequently undertake an MA in Woven Textiles at the RoyalCollege of Art, was that Ann Sutton was one of the visiting tutors.  Prolific artist, designer, maker, curator, speaker and writer, Ann Sutton’s energetic, rule-breaking and pioneering approach to weave was inspirational.  Treasured tutorials challenged Laura to see the ingenuity in overlooked structures and to recognise that weaving is ‘soft engineering’.  The possibilities for woven textile application in unexpected arenas, such as public art set the die for Laura’s future career.  Good fortune also meant that Laura was due to graduate in 2001, the year that Ann Sutton was recruiting for her first tranche of three Weave Design Research Fellows for The Ann Sutton Foundation in Arundel, West Sussex.  Thrilled to be awarded one of the Fellowships, the two years spent at the Foundation were entirely fundamental in Laura developing the confidence to establish her multifaceted studio practice in Cardiff in early 2004.

Soon after arriving back in Wales, Laura wrote to the textile department in Carmarthen School of Art to introduce herself and offer her services as a visiting speaker.  An informal meeting and talk to the students led to a one-day a week appointment as weave tutor. Laura has taught there ever since, and has been co-leading the course since January 2013.

Carmarthen School of Art is a joy to be a part of.  It is a true art college, in that it’s purely art and design courses undertaken on the campus.  It’s uniquely small, meaning that class sizes are a fraction of those in the ‘big’ universities and so has a nurturing, family atmosphere, where tutors really get to know their students.  Its size also means there is plenty of scope for inter-departmental working, something that both Sian O’Doherty and Debbie Smyth embraced throughout their studies.

The biggest reward in teaching, is to watch already talented students develop over their three years of study into something exceptional; to observe their ‘light-bulb’ moments; to suggest a creative direction that proves to be their personal revelation; to celebrate their recognition in the wider world of art and design.  Both Sian and Debbie were outstanding students from the outset, but what set them apart was their unstinting work ethic, creative risk taking and thirst for experimentation.  Both students were multi-talented and could have easily specialised in any textiles discipline, but both took a mixed media approach comfortably exploring different techniques and processes as per aesthetic and practical demands.  Underpinning their work throughout was their high level of drawing ability, comfortably taken into cloth, paper or thread manipulation. 

Debbie graduated in 2008 and achieved instant recognition at New Designers, the annual graduate showcase exhibition in London.  Work was sold, exhibitions arranged and commissions won.  Debbie has worked consistently since graduation for a stellar list of clients achieving international recognition for her trademark ‘pins and threads’ drawings and large scale installations.  Recent commissions have taken her to Shanghai and Las Vegas to create spectacular installations.

Sian graduated in 2012 and likewise achieved immediate success at New Designers winning the prestigious Lucienne Day Award for her final collection of woven quadruple cloth and digitally printed textiles.    Throughout her studies Sian demonstrated an exceptional technical ability for making fabric in all disciplines, so the final degree exhibition showcased only a fraction of her talents.  Subsequently the focus of Sian flourishing practice based here in Tenby, has primarily been knit for both fashion accessories and homewares, but she also makes mixed media artworks as showcased here in this exhibition.  Sian is also now the knit tutor and co course leader for the BA Textiles course in Carmarthen School of Art. 

Tuesday, April 19, 2011

Resonant Colour, Llantarnam Grange, Cwmbran

Thought I would share with you some photographs of my latest curation project, Resonant Colour at Llantarnam Grange Arts Centre, Cwmbran. The exhibition opened to much enthusiasm (and not just mine!) last month, and continues until the 7th May, so you've still got plenty of time to catch it.

I was honoured to be able to select some of my favourite applied artists to exhibit alongside me: Kate Blee, Nicholas Rena, Sara Moorhouse, Ann Sutton and Heike Brachlow. Many thanks once again to Hannah and Hywel at Llantarnam Grange for giving me this amazing opportunity.

And there is a LOVELY catalogue to accompany the show with photography by the amazing Toril Brancher and wonderful graphic design by Icon Creative Design.


'Welsh Step' handwoven double cloth blanket by me

'Welsh Step' handwoven double cloth blanket by me


Painted warp, cotton and monofilament by me


Galery shot. Ceramics by Nicholas Rena, handwoven blanket on wall by me

Resin sculptures by me, painted neckpiece/wall piece by Ann Sutton

Gallery shot

Ceramics in foreground by Nicholas Rena, three ceramic bowls on shelves by Sara Moorhouse, textile on wall by me

Gallery shot
 
Wall panels by me, ceramics by Nicholas Rena

'Red Road' cotton and copper by me
 
Paint brooches by Ann Sutton

Painted warp (annoying glass reflection) by me


Gallery shot, resin sculptures by me, 'paint in space'  on right by Ann Sutton

Ann Sutton

 
Various resin sculptures by me
 
Ann Sutton

Foyer Gallery


Sara Moorhouse

Nicholas Rena

Sara Moorhouse

Kate Blee


Nicholas Rena

Heike Brachlow


Heike Brachlow

The words that explain it all....

Wednesday, March 2, 2011

Resonant Colour, Llantarnam Grange, Cwmbran 19th March - 7th May 2011

Some images from my latest curation project......


Loose Threads: from black to pink, Laura Thomas
Photo: Toril Brancher

Painted warp detail of sample, Laura Thomas
Photo: Toril Brancher

Nicholas Rena
Photo: Toril Brancher

Ann Sutton
Photo: Toril Brancher

Heike Brachlow
Photo: Toril Brancher
 
Kate Blee
Photo: Toril Brancher

Sara Moorhouse
Photo: Toril Brancher

This exhibition entitled 'Resonant Colour' is the first of a series of 'Makers to Curators' exhibitions instigated  by Llantarnam Grange Arts Centre in Cwmbran, generously supported by the Arts Council of Wales.

Alongside my work, I have had the great pleasure of selecting work from five makers whom I admire greatly. It goes without saying that this was another dream project to select work that I find hypnotically beautiful and intellectually stimulating..... many thanks to Nicholas Rena, Heike Brachlow, Sara Moorhouse, Ann Sutton and Kate Blee for kindly agreeing to be part of this exhibition.

The connecting thread is the use of colour. It is often assumed that applied artists are primarily concerned with the making process and practical function of their work, over and above conceptual and intellectual endeavours. However, here all the exhibited work sees these factors on equal footing. Colour is not a mere decorative afterthought, but is fundamental: it is at the core.

There is an accompanying publication with wonderful essays by Royden Hunt and Sara Moorhouse. Photographs are by Toril Brancher and design by Icon Creative Design. Thank you too to the wonderful team at Llantarnam Grange for this opportunity and their support.

The exhibition opening is on the 18th March, 5 - 8.30pm - please do come along if you're in the area. Hope to see you there!

Monday, September 20, 2010

warp+weft, Oriel Myrddin Gallery, Carmarthen

It's been nearly 2 years since I first started talking to Meg Anthony, the curator at Oriel Myrddin Gallery about warp+weft, an exhibition celebrating contemporary woven textiles.  Two years ago, September 2010, seemed like light years away...... well it soon came around!

The last couple of months have been an absolute hive of activity - I now have a much better appreciation of the background work that goes into curating an exhibition!  The catalogue itself was a huge amount of work, and I don't think I have ever laboured so much over my words.  The photography sessions with Toril Brancher were fantastic and even though it was agonising making some of the graphic design decisions such as what to put on the cover, I hugely enjoyed working with Heidi Baker, our wonderful catalogue designer. With Meg, I think we made a formidable team.

You may have read on my earlier posts that the connecting thread for the exhibition was that all the selected weave artists and designers take a decidedly unexpected approach to weaving. Ainsley Hillard incorporates a transfer print process to integrate ghostly images; Ismini Samanidou is collaborating with Gary Allson to make CNC drawings and milled wood surfaces deriving from her hand woven samples; and Priti Vega works with fibre optics, magnets, light reflective yarns, amongst other intriguing materials to create her striking works.  The show also includes some icons from the world of weaving - Ann Sutton, Peter Collingwood and Reiko Sudo (NUNO) - inspirations for all interested in the construction of ingenious textiles.

Below are a few images from the exhibition.  There will be more to follow.  Please do try and visit the show which is on until the end of October.  Please also buy the very lovely catalogue..... a bargain at £12.50!


The catalogue with Ptolemy Mann's Monoliths on the cover


The private view on 10th Sept 2010. Photo: Kathryn Campbell Dodd.


Arc, by Laura Thomas. Photo: Kathryn Campbell Dodd.

Photo: Kathryn Campbell Dodd.


Photo: Kathryn Campbell Dodd.

Makeba Lewis. Photo: Toril Brancher.


Priti Vega. Photo: Toril Brancher

Ann Richards. Photo: Toril Brancher

Nuno. Photo: Toril Brancher

Sue Hiley Harris. Photo: Toril Brancher