Showing posts with label Oriel Myrddin. Show all posts
Showing posts with label Oriel Myrddin. Show all posts
Monday, September 25, 2017
Monday, August 7, 2017
A Darker Thread, Oriel Myrddin Gallery until 21st October 2017
I am delighted to announce that my latest curation project for Oriel Myrddin Gallery in Carmarthen, Wales is now open. Twelve artists are showcased and I'm honoured to have worked once again with photographer Toril Brancher and designer Heidi Baker to create a wonderful accompanying publication. Huge thank you as well to the inspirational Angela Maddock for her outstanding opening talk and publication essay.
Exhibitors:
Alana Tyson, Eleri Mills, Indre Eugenija Dunn, Jayne Pierson in collaboration with Neale Howells, Laura Thomas, Llio James, Philippa Lawrence, Rhiannon Williams, Rozanne Hawksley, Ruth Harries, Sally-Ann Parker and Spike Dennis.
| L-R Alana Tyson, Llio James, Jayne Pierson, Philippa Lawrence |
| L-R Rhiannon Williams, Sally-Ann Parker, Laura Thomas |
| L-R Laura Thomas, Eleri Mills, Ruth Harries |
| Foreground: Ruth Harries Background (on wall) L-R: Rozanne Hawksley, Philippa Lawrence, Spike Dennis |
| Foreground: Jayne Pierson |
| Ruth Harries (background), Laura Thomas (foreground) |
| L-R Indre Eugenija Dunn, Rozanne Hawksley, Rhiannon Williams, Sally-Ann Parker |
| Sally-Ann Parker |
| L-R: Eleri Mills, Ruth Harries, Jayne Pierson, Spike Dennis |
Below is the exhibition essay, outlining the curatorial concept for the exhibition:
The curatorial concept for this exhibition evolved
instinctively: it felt right in these times of political upheaval and
disquieting daily news stories. Whilst I can’t help but feel affected by the
darker tone of the times, in counterbalance, I also try to seek out and
celebrate examples of hope, optimism, kindness and peace. I hope this
exhibition reflects on these oftentimes
complicated responses to our contemporary experience.
It is also intended to highlight some of the outstanding
work being made through the medium of thread and cloth, by artists living in or
connected to Wales. No doubt this is informed in some part by our rich cultural
heritage of making both utilitarian and decorative textiles to furnish our
living spaces and envelope our bodies from birth to death.
I selected work that demonstrated visual poetic eloquence, a
mastery of medium and an absolute sensitivity to making and
materials. I wanted work that would stop
you in your tracks: to meet your gaze head-on, to challenge you, question you,
but also offer comfort, reflection and embrace.
Some of the work has a punk confrontational self-confidence, others, a
gentle yet searing resilience.
There are broad-ranging themes informing the work: gender
politics, feminism, empowerment, memory, language, loss. There are references to landscape, both
internal and external and how we occupy it, or how it occupies us. The recurring circle motif present in several
of the artworks was possibly subconsciously sought out, due to its universal symbolism
of eternity, the infinite, wholeness, totality, self and the cycle of life. Its gentle shape has no awkward sharp corners;
it flows infinitely, focuses the eye, draws us in, then acts as a full-stop to
make us, pause and draw breath.
Some of these curious, provocative, intense, fragile works
might feel comfortably familiar through their materiality or typically ‘Welsh’
colour palette of black, ecru and red; much hopefully, does not. There is a purposeful range of hard and soft
materials across the exhibits to represent a juxtaposition of comfort and
discomfort. Sometimes a textile can
soothe, but sometimes it cannot.
To conclude, I must extend grateful thanks to all at Oriel
Myrddin, firstly for the invitation to curate this exhibition and secondly for
all their tireless support throughout the project. Also, many thanks to Angela Maddock for her
eloquent and poignant essay, Toril Brancher for her exquisite photography and
Heidi Baker for her considered design of the exhibition publication. Lastly, I’m hugely grateful to all the
artists for so willingly and generously contributing work to this exhibition.
| Eleri Mills |
| Indre Eugenija Dunn |
| Jayne Pierson in collaboration with Neale Howells |
| Laura Thomas |
| Laura Thomas |
| Llio James |
| Philippa Lawrence |
| Rhiannon Williams |
| Rozanne Hawksley |
| Ruth Harries |
| Sally-Ann Parker |
![]() |
| Spike Dennis |
Thursday, July 6, 2017
EXTREME WEAVING for The BIG DRAW, The National Wool Museum, Drefach Felindre, 7th October 2017
Big
Draw Living Lines - EXTREME WEAVING!
7
October 10am – 3pm National Wool Museum, Drefach Felindre, SA44 5UP
The Big Draw promotes the universal language of drawing as a tool for
learning, expression and invention. For as long as we’ve been able to draw
we’ve been depicting motion: from prehistoric cave paintings
of charging bison through magic lanterns and shadow
puppets to
stop-motion, digital technology and
social media GIF’s.
For the Big Draw
2017 Oriel Myrddin and The National Wool Museum will be inviting people to join in creating a collaborative giant woven
work of art with myself. Weather permitting , the plan is to weave around the big tenterhook frame that is outside the Museum. If too wet, we'll be doing large scale in-situ weaving in the Long Gallery inside the Museum instead. Wherever it may be, this wild weaving extravaganza
will be filmed and become a time lapse film which will be shown at Oriel Myrddin Gallery.
CALL OUT FOR HELP! Weaver / textile / fashion friends - I'm going to need a LOT of material to make this giant woven textile. The plan is for this to be mostly made from recycled and re-purposed materials including loom waste. If you have any warp 'thrums' (the last bit of warp that can't be woven) would you be willing to donate them to the project? The palette is going to be typically Welsh - grey, black, red and white/ecru/undyed. I'd also be interested in any waste natural fabrics that are in this colour palette that I could cut into strips to weave with. If you can help - please drop me a line and I can send you my postal address info at laurathomas dot co dot uk HUGE THANK YOU!
Wednesday, July 5, 2017
A Darker Thread, 15th July - 21st Oct 2017
I'm delighted to share with you my latest curation project, A Darker Thread, which opens at Oriel Myrddin Gallery, Carmarthen on the 15th July at 2pm. You are warmly invited to join us when the exhibition will be opened by the noted artist and academic Angela Maddock.
About the exhibition:
A Darker Thread
Wales has a much celebrated tradition of creating both
utilitarian and decorative textiles of distinctive design. From power-loomed blankets to hand stitched
quilts, textiles are a key part of Welsh visual culture and history.
Whilst ‘A Darker Thread’ takes this heritage as its starting
point, twelve contemporary artists, designers and makers have been invited to
exhibit work which subverts these expectations.
Exhibitors have been selected for their focus on the
curious, the provocative, the humorous, or the unpredictable. Some work might still
feel comfortably familiar through its materiality or typically ‘Welsh’ colour
palette of black, ecru and red; much hopefully, does not.
The work all consciously or subconsciously references and questions
Welsh culture or sense of place: its language, folk tales, music, landscape,
industrial past or contemporary subcultures. A variety of making processes are
exemplified, but all make use of thread in some form.
Exhibitors: Alana Tyson, EleriMills, Indre Eujenija Dunn, Jayne Pierson in collaboration with Neale Howells,
Laura Thomas, Llio James, Philippa Lawrence, Rhiannon Williams, RozanneHawksley, Ruth Harries, Sally-Ann Parker and Spike Dennis.
To compliment the exhibition, the gallery shop featured maker is Stephen Hughes who is showcasing his new collection of luxurious digitally printed scarves.
There is also a rich programme of events running alongside the exhibition, which you can see detailed below:
Saturday, March 22, 2014
Featured Maker, Oriel Myrddin, Carmarthen
If you head to Oriel Myrddin this coming month to see the wonderful Bryn Ogwr exhibition by Jacqueline Poncelet and Anthony Stokes, you'll also see my work taking centre stage in the retail area. Exhibition continues until the 26th April.
Monday, October 11, 2010
Some more photo's from the warp+weft exhibition at Oriel Myrddin
Have been delivering a series of gallery talks at Oriel Myrddin over the past few weeks, and took the opportunity before speaking to my West Wales School of the Arts textiles students last week to take some more pictures of the exhibition. The show is on until the 31st October.
| Ptolemy Mann in foreground, Peter Collingwood, Ann Sutton and Hiroko Takeda on wall. |
| Ainsley Hillard |
| Ismini Samanidou with Gary Allson |
| L-R Ann Sutton, Hiroko Takeda |
| Laura Thomas |
| Reiko Sudo, Nuno |
| Reiko Sudo, Nuno |
| Priti Vega |
| Sue Hiley Harris |
| Makeba Lewis |
| Ann Sutton |
| Hiroko Takeda |
| Ann Richards |
| Kathy Shicker |
| Lucy McMullen |
| Ann Sutton |
| Hiroko Takeda |
| Priti Vega in foreground, Peter Collingwood and Ann Sutton on wall |
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